Our newest assignment for you is “Brrrrrrrr!!”!

Your assignment is to show us your best images interpreting Brrrrrrrr!, whatever that means to you! This might be a photojournalistic exercise or an artistic construction. We leave it up to you to define the phrase and how you will interpret it.

You are more than welcome to comb through your files for a photo that illustrates the term, but we would absolutely love it if you shot something for the assignment, special!!

Our assignment series is open to everyone. We’re hoping you’ll wanna play along! The most creative entry wins!

We will post all of the entries on our Facebook page, and post a few of our favorites on our blog, complete with a link back to your blog or website.

How to enter :

Images should be sized to 590 pixels on the long side. (If you need help figuring that out, ask your favorite Shootstyler.) And by all means, slap that logo on there if you have one! You can enter up to one photo a day for the duration of the assignment. Email your entry to:

assignment@shootstyle.com

We have an album on our Facebook fan page. When the entries start coming in, we’ll post them there first. Check in with us at Facebook if you are looking for some inspiration.

www.facebook.com/ShootStyle

The deadline is February 15! Let’s have fun doing this together!! Assignment series: “Brrrrrrrr!!”

I have posted a few times about the importance of capturing the details, but today I wanted to write about an oft-forgotten detail– the delicious, beautiful, oh-so-amazing food.  Take it from me, I can’t even remember what I ate at my wedding.  I do know that it was excellent (we hired a fabulous caterer) and that it made up a big part of our budget, but other than that I draw a total blank.  It’s funny, but for something so expensive and that takes up such a large part of the day/night, food is often ignored.  Sure, we photograph the wedding cake and the cute little whoopie pies served at dessert.  But how often do people say “I would love a photograph of my food”?  I get perhaps three couples out of forty that ask for food shots, and yet every single one of my clients who orders an album wants to include the shot of their food as a supporting detail in their album.
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I am a strong proponent of the idea that it is the craftsman not the tools.  In fact, I’ve been trying for years to find a couple that would let me shoot their wedding with a Canon Digital Rebel and a kit lens, just test that theory.  But I would be lying if I didn’t admit that I am completely in love with one piece of equipment in my gear bag.  One lens that I reach for every chance I can.  One wondrous chunk of glass that makes everyone it captures look good….that gives crisp details to the in-focus parts of the image, and makes the out of focus parts of the image buttery and beautiful.  If I haven’t given it away by now, I am speaking of my lovely fat bottomed girl – the Canon 85mm f1.2.

Our love affair began a few years ago, when I found a steal of a deal on a used 85 f1.2 on an online photographers community.  At the time, I had a slightly slower, consumer version of the lens that I was happy enough with.  It worked well enough, and was fast enough, and generally sharp enough.  But I couldn’t resist the allure of the exotic.  I have to admit, it wasn’t love at first shot.  It took me a few shoots to get used to the super slow auto focus, and super thin depth of field, but once I understood her, my attention never wavered.

We soon settled into a happy relationship, and a look at my blog on any given week will tell the story of our affection.  At a wedding she is with me during the bridal preps, all of the couple portraits, and the first dance.  For portrait sessions, however, she is the star of the show.  Many are the portrait sessions where she was the only lens I used.

So on this New Year season, I want to raise my glass to my favorite piece of, well, glass, with the hopes of thousands more beautiful images in the years to come!  Now let’s hear about the piece of equipment that inspires you!  Leave a comment with your own love letter to your favorite piece of gear.

From our stacks of albums, holiday portrait shoots, consults for next year’s weddings, and mountains of print orders to yours, we at ShootStyle would like to wish you the happiest of holidays, and the most successful New Year ever! We look forward to seeing you at all of our exciting sharing events in 2012!

If a wedding were a movie, the bride and groom would be starring in the leading roles. They’ll get most of the closeups and the camera will linger on them throughout the day. We’ll also see other supporting members of the cast as they interact the couple or react to the unfolding events. Then there are some people in the movie we’ll barely see at all, but they play important visual role of populating the universe of the film. Without them, the feature film wedding would merely be an short subject elopement. That’s why I often go out of my way to create photos that include wedding guests as part of the composition.

As wedding photographers, we all shoot the guests. We often try to get a shot of as many guests’ faces as possible for the bride and groom. Those shots are important but they’re not quite what I’m getting at now. And to be clear, I’m not also talking about shots like this:

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If you have never worked with models before, you are missing out! It’s a great vehicle for practicing with new lighting gear or exploring new direction in your work. I love working with models to strengthening my boudoir portfolio. I won’t publish client images from boudoir sessions and model shoots give me images with which to market. It’s also super fun and I experiment in every way I can imagine.

Earl Christie and I recently got together for a model shoot up in Maine. We wrangled our models using our tried and true (un)patented model system. We’ve been running models shoots in ShootStyle over the years and I wanted to share what works for us.

We use Model Mayhem, and love it. There’s a great community there and getting to know the models and other photographers has been fun and useful. :) There is a basic free account, which has some restrictions on numbers of images you can post on your portfolio and numbers of conversations you can start in a 24 hour period, but over all, I highly recommend opening an account.

Casting call:

When you are ready to get going, start by creating a casting call. Here is where you can specify who you are looking for and talk about the shoot a little bit. Go big! ShootStyle has managed to score some amazing locations, so we link to the venue. Even if you don’t have links to the space, be descriptive. Include links to your work too. Describe what you are looking for and be very specific about what you will be expecting from the models. You can imagine, some of the situations that have been posted have been sketchy, to say the least. Describing everything in as much detail as possible is going to allay any worries your models will have answering your call.

Throw down some cash if you can. You are much more likely to get models with a little bit of experience. Working with a model who has experience is fantastic when you are just getting going, they will help guide you in common practices in the industry. It also greatly reduces last-minute cancellations. But if you are short on cash, you should be able to find some models who are willing to do TFP (trade for prints, or these days, trade for files).

Some models prefer to bring an escort. Since ShootStyle so often does group shoots, with multiple photographers and models, we designate a room for escorts to hang out so as keep our models as comfortable as possible. If you are willing to have an escort present on the day of the shoot, indicate this in your casting call. Many photographers don’t like the extra person, so if you demonstrate your flexibility, this may win you some points.

Spread the Word:

You might think that once you’ve gotten your casting call up, all you have to do is sit back and answer the flood of emails about to come your way. It’s probably not going to happen that way.

Start searching for models on Model Mayhem that you want to work with, and personally invite them to look at your casting call. I look for models that are older and curvier than the typical model since I am looking to build my boudoir business, and want to find models closer to my clients age and body type. I usually settle for older or curvier. By “older”, I mean pushing thirty. And “curvy”, is anyone over 130 pounds. Being much older and much curvier than that, I have to laugh. But the truth is, this field is full of 98 pound 19 year old aspiring models.

If a model lists another way to get in touch, use it! Facebook, email, form-spring, anything! You are looking to carpet bomb your casting call to get as many eyes on it as possible.

Confirm Confirm Confirm:

Once a model expresses interest, get a cell phone number and an email address. We won’t confirm a spot on the day until we get those. You don’t want to run into a situation where a model has changed her mind about participating, but doesn’t bother to tell you.

Once we confirm with the models, we send them an email with all the information they need. We provide a google map link to the address, a street address, our starting time, what to expect when they arrive, clothing and make-up to bring, and if snacks or drinks will be provided. Include at least one phone number they can reach you at on the day of the shoot, and tell them to expect a phone call the evening before the shoot. If you are doing boudoir work, they must bring a photo ID with proof of age!!

We also ask them to reply to us when they’ve received the email, which also lets us know they’ve read it.

Don’t forget to make the call the day before the shoot! You may have to do some last minute changing around and this gives you a chance to tell the model how excited you are work with them, you can remind them to bring their ID. It also lets you know if you need to scramble to find another model.

On the Day of the Shoot:

While you are shooting, keep checking in with the model to make sure she is comfortable. Avail yourself to collaboration. Often the models get a particular portfolio going in a particular direction, and they may want some variety. If you can do it, it’s great to be able to meet their needs as well as your own.

Make sure you have a release all made up for the models to sign. It shows respect to the models to offer to give them a copy. We take a photo of the models ID and keep it with the files. Keep track of these ID’s. And don’t let them get posted online. The ID has a models personal identification on it and you need to keep them safe by not inadvertently publishing their home address. (This happened to a model-friend of mine. If one is doing boudoir work, you can imagine how terrifying it would be to have your street address out there on the internet!)

Let the models know when you will be delivering their edited images to them. Give yourself double the amount of time you think you’ll need to deliver them, and try like help to deliver earlier. It can be a nightmare for models to get images from photographers. Don’t be that guy.

Above all else:

Show mega-respect for the models. These models are putting themselves out there for you to practice your photography; it is a gift to you, even if you are paying them. The greater respect you can show the models, even in the face of last-minute cancellations, lateness or general dippiness. the easier time you will have with your shoot.

Have a blast out there! And I would LOVE it if you would let me know in the comments section of the blog what tips and tricks you have for working with models!

If you’re anything like me, you’re a workaholic, a control freak and a perfectionist. Ok, that might be harsh even on myself, but I think most small business owners can relate to not being able to shut off work when it’s necessary. This is especially hard to do for photographers because even those of us who have an office away from home, still most likely have a computer at home, or at the very least, a smart phone in your hands way way way too often. Not to mention that the tools we use for work – cameras and computers – are also used for play.

And if you’re like me, you’ve had friends, loved ones, family, or (the worst) your own child say “Can’t you just shut it down for the night? Can you just put your phone down? Are you still on the computer?”. And it sucks because you don’t really realize what you’re doing. You think you’re being productive. You think that if you don’t work every waking part of the day, that you will fall behind, that clients will get mad, that inquiries will go elsewhere, or that you’ll miss out on something major.

You check your work emails on your phone, in your bed. Really??

The fact that my husband leaves me little love notes on the computer, because he knows that’s where I’m sure to look? Cute, but really – a little sad.

There is no such thing as a photo emergency. This is what I have to remind myself every time I feel guilty for putting an away message on my email when I (very rarely) get away for a weekend or vaca. But more importantly, this is what I need to remember when my work day is over. Once the baker closes it’s doors, no more cupcakes for you!

Since most of us shoot weddings on weekends and portraits in the evenings, we need to make a different schedule for ourselves than the average 9-5 M-F. For me, this past season, I would mark off one day a week as my day off. This didn’t mean a day off from everything, to be fair. I simply wouldn’t shoot that day, or I wouldn’t edit, or I wouldn’t go to the office. It was a day off from one or all parts of work. I may still check email, but I wouldn’t respond until the next day. It took a LOT of restraint, trust me.

I recently posted my own, self proclaimed, office hours on my home office door. My studio office downtown is by appointment only, and I often work from home. No clients come to my home office, but this sign is a reminder to me, no – a guideline that I must follow. You know, unless I want to end up a big nerd with no family, no friends, no life, no hobbies, no fresh air, no sun on my skin, a bad back, carpal tunnel, thick glasses, and unwashed hair…

Since wedding season is almost over, and portrait season is drawing to a close all in about a month, I am busting my hump to have evenings and weekends free again. My daughter deserves my full attention. Forcing myself to take a day off in peak season allowed me to manage my workflow a lot better. I would work on one project at a time, finish it, and then start a new one. I pride myself in multi-tasking, but I now see that it wasn’t helping me; it was actually diluting the work that I did do since it wasn’t getting my full attention. A cool little app for Mac OSX that my intern Caroline told me about is SelfControl. Look into it if you have a really hard time closing Facebook, emails, etc while you’re editing.

Now that I’ve caught up on work by managing my time a lot better and writing this article without designing an album at the same time, I’m going to turn over the sign to CLOSED and go enjoy this beautiful Indian Summer day with a bike ride to the beach. The album will wait and no one will die because of it.

Enjoy!
~Zofia

The veil: that billowy gauzy fabric atop of some brides heads: some of us love them, some of us, not so much. I personally love veils of all kind; however my most favorite are long veils worn on very windy days ;)

We have all seen a variety of veils: cathedral length, fingertip length and the ever popular birdcage veil. But how did the veil find it’s way into the bridal accessories? What were it’s origins?

Some say Rome was were the veil was introduced, being used to conceal a bride’s features and confuse evil spirits. I didn’t really read anywhere why evil spirits may have been in hot pursuit of these brides, I can only assume they came to let them know that the strapless gown fad is over.

Others say the veil was there to prove the bride’s purity and to protect her from the evil eye, which was obviously being thrown by the crazy ex-girlfriend.

What made most sense to me was the idea that the veil was in place during an arranged marriage. The bride’s features were only revealed to the willing groom after the ‘I do’ deed was done, preventing him from backing out ahead of time.

These days, like most details picked out for a wedding, it’s pretty much do as you like. I love love the trend of different colored wedding gowns & choosing a veil that either compliments or matches the gown shade you’ve chosen.
Go bold, go different, go with what you like.

If you’ve always dreamt of wearing a floor length veil following behind you on your day like a little mini-me, do it! If you can’t shake the idea of adding a hot-pink birdcage veil to your ensem’ – go for it! Veils, like shoes and purses, flowers and jewels, are there to add to your look & to show off a little slice of your personality.
And, if the whole idea of a veil fills you with the ick, don’t wear one. I don’t think the evil spirits will mind one bit ;)

Happy accessorizing!

We’re happy to announce the winners of our latest assignment series, Street Style!

First place goes to Audra Medunitza-Welton. Her image of a person crossing an intersection, through a rainy window was made perfect by the 2 red lights.

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I love weddings with details- ALL kinds of details- from ceremony seating to rings, shoes to favors, cars to flowers.  Personally, I believe that the details can really set the tone of the wedding.  After all, the style of the very first Save the Date card can tell you if the couple is planning a formal event, a vintage event, a unique event, or all of the above!  I could spend hours alone in a room with interesting details,  photographing them on reflective surfaces and then on textured surfaces, in available light and then with an off-camera strobe, and finding all kinds of different angles to show them off.

However, as much as I love having time to play with the details by themselves, I think it is also important to bring your couples into the details and “personalize them”.  At every wedding I try to take a handful of details shots that include the people in them to add variety to the detail shots and to actively incorporate them in the story of the day.

The bridal/bridesmaid details are usually the most obvious and most accessible details to personalize.  After all, most of my brides will have a handful of fabulous details and I can usually find time to photograph her with her details right after she puts on her dress:

 
 
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